Mamallapuram – Bibliography – Journals


    Mamallapuram – The Workshop of the Pallavas

    Bibliography – Journals


    1. Ananda Coomaraswamy. A Pallava Relief: Durgā. Bulletin of the Museum of Fine Arts Vol. 25, No. 148 (Apr., 1927), pp. 22-25
    2. C Sivaramamurti. Sculptural message of religious tolerance. Arts Asiatiques Vol. 1, No. 2 (1954), pp. 109-117
    3. Diran Kavork Dohanian. Sinhalese Sculptures in the Pallava Style. Archives of Asian Art Vol. 36 (1983), pp. 6-2
    4. Gary Michael Tartakov. The Beginning of Dravidian Temple Architecture in Stone. Artibus Asiae Vol. 42, No. 1 (1980), pp. 39-99
    5. H. Goetz. The Kailāsa of Ellora and the Chronology of Rāshtrakūta Art. Artibus Asiae Vol. 15, No. 1/2 (1952), pp. 84-107
    6. H D Sankalia. Regional and Dynastic Study of South Indian Monuments. Annals of the Bhandarkar Oriental Research Institute Vol. 21, No. 3/4 (1939-40), pp. 213-228
    7. Hartmut Scharfe. The sacred water of the Ganges and the Styx-water. Zeitschrift für vergleichende Sprachforschung 86. Bd., 1. H. (1972), pp. 116-120
    8. J. Ph. Vogel. The Head-Offering to the Goddess in Pallava Sculpture. Bulletin of the School of Oriental Studies, University of London Vol. 6, No. 2, A Volume of Indian Studies.
    9. James C. Harle. Durgā, Goddess of Victory. Artibus Asiae Vol. 26, No. 3/4 (1963), pp. 237-246
    10. Joanna Williams. Unfinished Images. India International Centre Quarterly Vol. 13, No. 1, IMAGES (March 1986), pp. 90-105
    11. Lieutenant Newbold (1843). On the Process prevailing among the Hindus, and formerly among the Egyptians, of quarrying and polishing Granite. Journal of the Royal Asiatic Society of Great Britain and Ireland vol. the seventh.
    12. M K Dhavalikar. Kailasa — The Stylistics Development and Chronology. Bulletin of the Deccan College Research Institute Vol. 41 (1982), pp. 33-45
    13. M S Mate. Origin of Pallava Art: The Undavalli Caves. East and West Vol. 20, No. 1/2 (March-June 1970), pp. 108-116
    14. Marilyn Hirsh. Mahendravarman I Pallava: Artist and Patron of Māmallapuram. Artibus Asiae Vol. 48, No. 1/2 (1987), pp. 109-123+125-130
    15. Mary-Ann Milford-Lutzker. The Celebration of Arjuna — the Kirātārjunīya and the Arjunawiwāha. South and Souteast Asian Art, Volume 1. University of California, Berkeley, 1984
    16. Michael D. Rabe. The Māmallapuram Praśasti: A Panegyric in Figures. Artibus Asiae Vol. 57, No. 3/4 (1997), pp. 189-241
    17. N. Hariharan. India’s Temples Proclaim Her Architectural Glory. East and West Vol. 5, No. 2 (July 1954), pp. 104-108
    18. Odette Viennot. The Goddess Mahishâsuramardinî in Kushâna Art. Artibus Asiae Vol. 19, No. 3/4 (1956), pp. 368-369+371-373
    19. Padma Kaimal. Playful Ambiguity and Political Authority in the Large Relief at Māmallapuram. Ars Orientalis Vol. 24 (1994), pp. 1-27
    20. Padma Kaimal. The Problem of Portraiture in South India, circa 870-970 A.D. Artibus Asiae Vol. 59, No. 1/2 (1999), pp. 59-133
    21. R. C. Agrawala. The Goddess Mahiṣāsuramardinī in Early Indian Art. Artibus Asiae Vol. 21, No. 2 (1958), pp. 123-130
    22. Raju Kalidos. Stone Cars and Rathamaṇḍapas. East and West Vol. 34, No. 1/3 (Sept. 1984), pp. 153-173
    23. Raju Kalidos. The Rākṣasa-Gateway of Mahākūṭa and Its Iconographical Significance. East and West Vol. 42, No. 2/4 (December 1992), pp. 319-332
    24. T N Ramachandran.  Kiratarjuniyam in Indian Art. Journal of the Indian society of Oriental Art vol. XVIII (1950-51).
    25. T N Ramachandran, Fresh Light on the Deograh Relief of Nara-Narayana. Indian Historical Quarterly vol. XXVII, No 3, pp 191-6
    26. Samuel K. Parker. Unfinished Work at Mamallapuram or, What Is an Indian Art Object?. Artibus Asiae Vol. 61, No. 1 (2001), pp. 53-75
    27. Stephen Markel. An Iconographical Assessment of the Great Relief at Mamallapuram, master’s essay. The University of Michigan, December, 1980
    28. Steven Darian. The Ganges in Indian Art. East and West Vol. 23, No. 3/4 (September-December 1973), pp. 307-325
    29. Susan L. Huntington. Kings as Gods, Gods as Kings: Temporality and Eternity in the Art of India. Ars Orientalis Vol. 24 (1994), pp. 30-38
    30. T V G Sastri. Dwarf in the Indian Sculpture. Arts Asiatiques Vol. 6, No. 1 (1959), pp. 33-58
    31. Vidya Dehejia and Richard Davis. Addition, Erasure, and Adaptation: Interventions in the Rock-Cut Monuments of Māmallapuram. Archives of Asian Art Vol. 60 (2010), pp. 1-18
    32. Walter Smith. The Viṣṇu Image in the Shore Temple at Māmallapuram. Artibus Asiae Vol. 56, No. 1/2 (1996), pp. 19-32
    33. Annual Report of the Archaeological Survey of India for the year 1910-11.
    34. Asiatick Researches, vol. I
    35. Asiatick Researches, vol. V
    36. The Journal of the Bombay Branch of the Royal Asiatic Society of Great Britain and Ireland, vol. II
    37. The Madras Journal of Literature and Science vol. XIII, Part I.
    38. Journal of the Asiatic Society of Bengal vol. XXII.
    39. Journal of the Asiatic Society of Bengal vol. XV.
    40. Indian Antiquary vol. X.
    41. Indian Antiquary vol. LXVI.
    42. Madras Journal of Literature and Science vol. VIII.
    43. Journal of Tamil Studies, issue 9-10

    Back to Contents